I recently had a chat with Naoko Yamano from Shonen Knife on their cult legacy since the early 90s. The alt rock act will release Let’s Knife, on July 10, a collection of rerecorded tracks from the band’s heyday on Robby Takac’s Good Charamel records. The trio hasn’t missed a beat since they were cosigned by the iconic Kurt Cobain of Nirvana as they continue to represent Osaka Japan with style and grace.
Why did you rerecord Let’s Knife at this moment in time?
Let’s Knife is an album of re-recorded tracks carefully selected from Shonen Knife’s first four albums: “Burning Farm”, “Yama-no Attchan”, “Pretty Little Baka Guy”, and “712” added with three new tracks. It was originally released in 1992 not only in Japan but in the US and UK. Many of those songs are still enjoyed by audiences as
essential “best hits” at live performances. However, “Let’s Knife” had become a legendary album that could only be heard on the original CD release after 2000. We decided to bring it back into spotlight by current Shonen Knife members.
What’s it like working with Robby Takac on Good Charamel records?
The idea of Let’s Knife Re-Cut re-release was from Robby. He is a very creative and capable person. Recording with him was so fun. His direction for the recording was accurate, quick and rational. He helped us a lot.
Why do you think Shonen Knife did not get bigger in the 90s?
That’s because we signed with a major record company and made our debut.
Kurt Cobain cosigned the band. What did that feel like?
It’s very honorable! I’m happy that such a talented person like Kurt cosigned Shonen Knife.
How are tour plans shaping up?
This summer we are excited to be on the Men at Work/Toad the Wet Sprocket/Shonen Knife Summer Tour across North America in July and August of 2026. We also have some our headlining shows. Please check our
website.
